Keane - The Best Of Keane -deluxe Edition- -201... Apr 2026

Reviews were glowing. NME called it “a eulogy and a victory lap.” A fan wrote on the Keane message board: “This isn’t a greatest hits. It’s a diary.”

They added “Maybe I Can Change” from the Night Train EP, the one with the hip-hop beat that confused critics. They included “Love Is the End” in its original solo-piano form—no strings, no harmonies, just Tom’s raw vocal, recorded in one take at 3 a.m. after a fight with his then-wife.

Tim Rice-Oxley, who had arrived unannounced, now sat cross-legged on the concrete floor, holding a cassette. “Remember this?” he asked.

Tim shrugged. “Some stories don’t end. They just fade in and out, like a piano chord held too long.” Keane - The Best Of Keane -Deluxe Edition- -201...

It was the original piano demo for “Atlantic.” But not the version you know. This one had no drums. No distortion. Just Tim’s voice, cracking on the high notes, and a Yamaha CP70 that sounded like it was recorded in a flooded cathedral. Tom listened through a battered portable player. By the end, neither spoke.

Tom stopped mid-song. He walked to the edge of the stage, knelt down, and said, “No. Thank you . We almost quit three times. The only reason we didn’t? Letters like yours.”

“That’s the one,” Tom said. “The heart of it. Before we tried to sound like anyone else.” Reviews were glowing

The Ultimate Deluxe Edition did come out. It included a live recording from that 2013 record shop show. And at the very end, a hidden track: thirty seconds of static, then Tom humming “Bedshaped” into a phone voicemail.

The package came with a 40-page booklet of never-seen Polaroids from the Hopes and Fears tour: the band sleeping in a van outside Glasgow, Jesse Quin (who joined later) not yet in the frame, a broken keyboard wheel in a snowy Oslo alley. – was the emotional centerpiece.

The message was dated: November 19, 2013. 2:13 a.m. They included “Love Is the End” in its

Tom laughed. “You’re already planning the reissue of the reissue?”

“Hey. It’s me. Just wanted to say—I think we finally got it right.”