At the screening: Emil’s film begins – it’s meant to be a serious Russian drama. Instead, the projector shows Bean’s footage: Emil shouting “I love you!” then cut to a seagull, then the mime, then Bean eating oysters.
Bean’s video camera is still recording – he splices in his own footage (dancing street mime, his own holiday shots) and plays it over the film’s projector. The audience thinks it’s a surreal masterpiece. They applaud. Mr Bean Holiday Script
He can’t understand French announcements: “Ce train va à Cannes.” Bean nods. Then: “Ce train ne va pas à Cannes.” Bean doesn’t notice. At the screening: Emil’s film begins – it’s
Ticket inspector: “Your ticket, sir.” Bean pats his pockets, pulls out a string of garlic, a rubber chicken, then finally the ticket. The machine rejects it – Bean shoves it in upside down. The audience thinks it’s a surreal masterpiece
She invites them to lunch. Bean mimics everything she does: drinks wine, eats mussels, even scratches his nose at the same time. Sabine has to attend a screening of her art-house film. Bean and Stepan watch too. The film is slow, black-and-white, with no dialogue. Bean gets bored.
: Bean dancing to “La Mer” by Charles Trenet with Sabine, Stepan, and the entire cast. Would you like the full original shooting script (PDF format) or a specific scene’s exact dialogue?
The real director faints. Bean, Stepan, and Sabine race to Cannes. Bean wants to catch Emil before he screens his film (which is just the video of Emil crying “I love you, my son!” – which Bean accidentally recorded instead of Emil’s actual movie).