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"I literally pulled over to the side of the road," O’Rear later recalled. "I had my camera in the trunk. I got out, walked about 50 feet up the hill, and took four shots."
If that name sounds familiar, it’s because O’Rear didn't shoot stock photos in a studio. He was the guy National Geographic sent to photograph the vineyards of Napa and the sand dunes of the Sahara. He shot film. Big, medium-format film. The story of the photo is pure serendipity.
That beautiful, sweeping vista?
Charles O’Rear is 83 now. He still lives in Napa. He still shoots film. He laughs when people ask him if he’s sick of looking at the hill.
So the next time you boot up a sterile, flat UI? Go ahead. Download the JPEG. Put it on your 4K monitor. It won’t fit perfectly. It will look a little soft. A little dated. original windows xp wallpaper
For four years, that photo sat in a database under the generic name: "Rolling Green Hills, California."
He didn't think much of it. He sent the roll of Fuji Velvia film to his lab, scanned the best shot, and uploaded it to a stock photo database called Westlight (later bought by Corbis). "I literally pulled over to the side of
Then, Microsoft came calling. Microsoft’s art director was searching for "Pastoral landscapes without people." They found O’Rear’s hill. They wanted exclusivity—meaning no other company, ad agency, or calendar printer could ever use that hill again.
In the early 2000s, fans began making pilgrimages to Sonoma, California, to find the exact GPS coordinates of the hill. They wanted to stand where O’Rear stood. But when they got there, they found a horror show for nostalgia. He was the guy National Geographic sent to
The design team, led by Microsoft’s Creative Director, decided to ditch digital abstraction for analog reality. They hired a legendary nature photographer named .
Driving his rented Ford Taurus, O’Rear glanced to his right. There it was: a low, gentle hill. The morning light was hitting the dew just right. The clouds were breaking up.