Pao Collection Magazine -

2. THE ANTI-CATALOG Why one Danish collector owns only three chairs. By Lars T. Hvid

Welcome back to the grain.

EDITOR’S LETTER On the Virtue of Resistance pao collection magazine

Within these pages, we do not review objects. We apprentice ourselves to them. We asked potters, perfumers, and stone carvers: What does it mean to be resisted by your tools? Their answers form a quiet manifesto for the tactile life.

How do you prefer to be cleaned? SKILLET: Hot water only. A bamboo brush. Salt if you must. Soap is a lie told by non-stick coatings. PAO: What is your greatest enemy? SKILLET: The dishwasher. And neglect. But they are the same thing. PAO: Your proudest scar? SKILLET: A crescent-shaped burn on the handle. Someone in 1987 answered the phone while holding me. I like that ring. PAO: Any advice for the owner? SKILLET: Cook bacon. Wipe. Repeat. Do not think about seasoning. Just live in it. NEXT ISSUE (Winter 2026): “The Geometry of Silence” Pre-order includes a swatch of our cover material: raw cork, unfinished. Hvid Welcome back to the grain

In a Copenhagen loft, curator Elin Moos owns a Finn Juhl, a Børge Mogensen, and an anonymous 18th-century farmer’s stool. She refuses to own a sofa. “A catalog is a graveyard of desire,” she tells us. Her philosophy: Acquisition must be followed by a three-month “quarantine” during which the object is used daily, then rejected or kept based on wear alone. We photograph the stool’s saddle—dipped four centimeters by 270 years of a single family’s weight. *Towels, terry, and the Japanese tenugui . By Maya Indigo

— Solenne K. Aoyama , Editor-in-Chief The Language of Surfaces We asked potters, perfumers, and stone carvers: What

| The Smell of a Book Binding Perfumer Lila Georges reverse-engineers the scent of a 1926 calfskin spine: notes of vanillin, cellulose rot, and iron gall ink.

We blind-test 21 towels. Egyptian cotton loses. A 1950s Irish linen tea towel wins, but only after its 40th wash. We deconstruct the tenugui —a thin, dyed cotton hand towel that never pills, never plumps, and dries in 11 minutes. “A good towel teaches you patience,” says Kyoto textile conservator Riku Taneda. “It does not absorb. It invites water to leave.” TOOL AS TEACHER | The Mortise Chisel Master carpenter Renzo Piano’s (no relation) guide to the one tool that cannot be rushed. “If you hear the wood cry, you are going too fast.”