Serie The 100 -

8/10 (Seasons 1-4: 9/10; Seasons 5-7: 7/10)

For those who want clean resolutions and clear heroes, look elsewhere. For those who want a show that will make you yell at the screen, question your own morality, and fall in love with deeply flawed characters, The 100 is essential viewing. As the show’s mantra goes: In peace, may you leave the shore. In love, may you find the next.

This is best embodied in the character of Octavia, who transforms from the girl under the floor into "Bloodreina," a tyrannical leader who forces her starving people to cannibalism in a bunker to maintain order. The show forces the audience to ask: Is she a monster, or a savior? The answer is always both. The 100 is a show of distinct eras. Seasons 2-4 are widely considered peak science fiction, focusing on a second apocalyptic event (a nuclear meltdown of the world’s power plants) and the political machinations of surviving factions. Serie The 100

When The 100 premiered on The CW in March 2014, it was easy to dismiss it as just another teen dystopian drama. The premise felt familiar: a nuclear apocalypse has rendered Earth uninhabitable; survivors live in a space station called the Ark; and a group of 100 juvenile delinquents are sent down to the deadly ground to see if it’s safe. Many expected a show about pretty teenagers navigating love triangles while wearing leather.

Streaming on Netflix (US) and Amazon Prime (select regions). 8/10 (Seasons 1-4: 9/10; Seasons 5-7: 7/10) For

However, Seasons 5-7 take a sharp turn. After Earth finally becomes truly uninhabitable, the show goes interstellar. We are introduced to the Eligius Corporation, cryo-sleep, a desert planet, and eventually, a mysterious anomaly that leads to a "transcendence" test. Season 7 is divisive. Some fans praise its ambition and its massive lore expansion (including a prequel backdoor pilot). Others felt it lost the intimate, survivalist horror of the early seasons, trading spear-and-sword combat for mind drives, memory wiping, and a human extinction plot.

By the end of Season 2, The 100 established its core thesis: survival is a zero-sum game. In one of the most shocking sequences in modern TV history, Clarke is forced to pull a lever that irradiates Level 5 of Mount Weather, killing every man, woman, and child inside—including innocent allies—to save her people. There is no triumphant music. There is only Clarke, covered in blood, screaming "I bear it so they don't have to." The show’s greatest strength is its refusal to provide clean heroes. Every character, from the noble Kane (Henry Ian Cusick) to the fierce Octavia Blake (Marie Avgeropoulos), commits atrocities in the name of "my people." The show coins its own philosophy: "There are no good guys." In love, may you find the next

What they got instead was seven seasons of relentless moral ambiguity, staggering body counts, and a philosophical descent into "who is the real monster?" The show’s creator, Jason Rothenberg, quickly subverted expectations. The first few episodes do contain the expected teen angst—Clarke Griffin (Eliza Taylor) butts heads with the reckless Bellamy Blake (Bob Morley), and romance blossoms. But the turning point comes fast. The 100 discover they are not alone. The "Grounders" are a tribal, warrior society descended from survivors who developed their own brutal culture. Then come the Reapers (cannibalistic junkies), and finally, the Mountain Men—the privileged descendants of Mount Weather who breathe filtered air and need the blood of Grounders (and the 100) to survive.