The floor trembled.
They call it The Cage not because of its bars—there are none—but because of its emptiness. A perfect cube of white, seamless light, sixty feet in each direction. No doors. No windows. No shadows to hide in. Just me, a thin mattress that materializes at 21:00 sharp, and a slot in the floor that produces nutrient paste twice a day. The paste tastes of chalk and guilt.
I stood at the exact center, as I had done a thousand times before. But this time, I did not wait for the slot. Instead, I closed my eyes and dreamed— deliberately dreamed, the way one might flex a muscle. I imagined the door. The brass knob. The ivy. I imagined my hand closing around the metal, the cool weight of it, the click of the latch. the cage series
Mira pressed her palm against the inside of the wall. For a moment, her hand passed through, and I saw the other side: a dark corridor lined with identical cubes, stretching into infinity. In each cube, a person lay curled on a mattress, eyes moving rapidly beneath their lids. Some wept. Some smiled. Some screamed silently.
Not a hairline this time, but a gouge, wide enough to fit a hand. White light bled from the fissure, but beneath it, I saw darkness. Real darkness, the kind that has texture and depth. I dropped to my knees and shoved my fingers into the gap. The edges were sharp, like broken ceramic, and they sliced my skin. But I pulled. The floor trembled
“That dream is a blueprint,” Mira said. “Your subconscious has mapped the flaw in The Cage’s architecture. The door exists. Not here, not in the dream, but in the real. Somewhere in the facility, there is a maintenance access that was never properly sealed. Find it, and you can walk out.”
I had dreamed those things. The dog was named Peanut, dead thirty years before I was born. The woman was my mother, who I never knew. The field was somewhere in Ireland, a place I had only seen in a documentary once. How did Mira know? No doors
She told me that The Cage was not a prison. It was a processing facility. Billions of humans, each in their own white cube, each dreaming their private heavens and hells. The walls absorbed those dreams—the joy, the terror, the longing—and transmuted them into energy. Fuel for a civilization that had long ago forgotten how to generate power any other way. We were batteries. Conscious, suffering, immortal batteries.
And then she waved goodbye.
She was right. Every night, I dreamed of a door. Not a special door—just a plain wooden door with a brass knob, set into a wall of ivy. In the dream, I would reach for the knob, my fingers inches away, and then I would wake up. Always the same. Always so close.
Mira appeared less often now. She was fading, she said. The dreams she had consumed were running out, and without new ones, she would dissolve back into the wall from which she came. “You are my last dream, Kaelen,” she whispered. “The only one worth remembering.”