Mein Aisa Uljha Jiya -title Track--...: Teri Baaton

Raghav Chaitanya delivers a controlled, almost breathy performance. He doesn’t shout or over-emote, which is a relief. Instead, he glides over the beat, capturing the dazed, hypnotic state of being "uljha" (entangled). The autotune is used sparingly but effectively to add a mechanical sheen—nodding to Kriti’s robotic character without losing human warmth.

The song is a "slow poison." On first listen, the bass-heavy drops might feel repetitive. By the third listen, the simplicity of the hook gets lodged in your brain. It is not a dance-floor banger like "Morni Banke" nor a soulful ballad. It is a head-bobbing, swaying kind of track —perfect for a highway drive or a late-night vibe. Teri Baaton Mein Aisa Uljha Jiya -Title Track--...

The track is an interesting fusion of early 2000s electronic pop and modern tech-house beats. It leans heavily into a "retro-futuristic" sound, which perfectly mirrors the film’s plot about a man falling in love with a highly advanced robot (SIFRA). There’s a distinct Daft Punk-meets-early-2000s-Bollywood feel to the synth loops. The autotune is used sparingly but effectively to

Bhattacharya is the real star here. The hook line— "Teri baaton mein aisa uljha jiya, jaise computer ki thi mouse" —is intentionally quirky and divisive. Some will find it brilliantly weird; others will cringe. However, the metaphor of a human cursor being controlled by a computer's mouse cleverly represents the power dynamic between Shahid’s character and Kriti’s AI. The romantic lines are layered with double meanings about programming and code, making it a fun listen once you catch them. It is not a dance-floor banger like "Morni